Went to my photo club meeting today. The guest presenter talked a lot about Midwest photography and their sentiment regarding it, and so on. Two of his preferences were to 1) have big skies in his photos, and 2) he really liked stormy weather and big clouds. Sun ray through the clouds always being an added bonus, of course. For some unknown reason I do not have many big sky photos. I may have to change that. And I know that I do not have any severe weather photos. I may fix that, too.
This particular photo is probably as close as they come. The weather was harsher than the photo suggests, but the clouds were more complete in coverage, hence the solid wall effect. I really like this photo… there’s a cropped panorama version, too… for the feeling it evokes. There’s a sense of cold and stark loneliness. The trees on a ridge by themselves, no one daring to go out there for any reason. It’s good when a photo evokes feeling. This photo was shot near Ely, Iowa.
Footnote: It will take some time to catch up all my photos with the new logo.
We’re going retail. Actually, we’re going consignment. I have some photos in a new consignment shop that is specializing in local talent and work. Hence, my stuff can fit right in.
The place is called Dogwood Avenue, and is in the northeast part of town. They have a wide range of local talent, everything from crafts to photos (like mine) to, well… lots of stuff in between. They had an open house a couple nights ago, and will be doing a grand opening in a few weeks. They are open in the mean time.
I have four larger photos that you see here, and a couple smaller shots not shown. I will be expanding to about 8 to 10 photos within a couple weeks. Everything that I show and sell here will be northeast Iowa only, keeping with the local intent.
We here at Iowa Landscape Photography are nothing if not about progress, and the times they are a-changin’. Here’s a photo that has been published on these pages before, but there’s something different… a new logo. I’ve been wanting to do a new logo for a long time now, and the time is finally here. I’m very pleased and excited.
My original logo is something that I threw together in AutoCAD… because that’s my day job and that’s what I’m comfortable with… then I converted it to *.jpg and went from there in Photoshop. I needed something quick and was impatient. Kind of a long strange trip, eh? It was modeled on a silhouette photo of an old windmill at sunset. It was hokey, but it was mine.
I commissioned my friend, Luke Gordon, for the new logo, and gave direction that I wanted to keep the same concept and feel, but modernized and updated. Luke came through with flying colors. You can see the new watermark here in this photo, and the logo itself at the top of this page. If you like his work, and desire to contact him regarding some work for you, let me know and I will give him your contact information.
Here’s yet another example of finding an older photo and seeing it in a different light for the first time. And this time this one has quickly turned into one of my all-time favorites. In color this shot was nice, but… meh. In black and white it popped, and I couldn’t stop staring at it… or should I say ‘staring INTO it’? That’s the key here, the image draws you in and you can’t help but look all the way down to the end, trying to look even farther. The combination of the starkness and simplicity of the black and white, the symmetry, along with the lines leading… pulling… you in is simply incredible. This will end up on my wall, somewhere.
This is the railroad bridge that leads to the Quaker Oats plan in downtown Cedar Rapids over the Cedar River. It is “unsecured”, as in no gates or barriers into the plant, but rumor has it that if you even set foot on the bridge as it heads over the water you will be greeted by a couple burly security guards from the other end, and will be not-so-kindly warned and escorted back to where you came from.
I also like how the plant and the sign itself peeks out from the side, providing context.
This was taken a few years ago one evening as part of another photo shoot sponsored by my photo club. Something that I probably never would have done on my own. An active and pro-active photo club can be an invaluable resource.
Ok, I give. You win, Mother Nature. It’s been at or below zero for a few days now. I’ve had enough and I capitulate.
While I have taken advantage of the last three days inside to catch up on some blogging and paperwork issues, that’s not nearly as satisfying, so I have chosen for today’s photo something completely opposite of what is happening outside right now. Call it wishful thinking, or blind hope, or whatever.
This shot is from the road trip Missy and I took in October, 2016. This is Michigan state Hwy M-119, the “Tunnel of Trees” near Harbor Springs, Michigan. It is quite the famous tourist destination, and for good reason.
A photo like this gives me hope. Hope knowing that it will not always be below zero and too cold. Hope knowing that I will be doing more shooting and soon.
!!! Updated Website !!!
Today is also the official roll-out of the updated website. It’s not radically different. It’s still 2002-ish in terms of looks. But it’s tightened up and streamlined quite a bit. The photos have all been reprocessed… which was a slow and fitful process that took most of 2017… and many more added. (I will continue to add more as time goes by, too.) It has a better overall feel to it, I think. I have also made a few “secret” pages… one for only Iowa, one for only Michigan, and one for all photos in total… that will allow me to share with specific clients and to also help keep myself in line as to what I have and don’t have that I can reference at a glance. Click the link above and go take a look.
I love a good winter photo. Especially when you can grab the texture of the snow, and double-especially when you can catch shimmering glints of sunlight reflecting off the snowflakes.
Take this photo, for example: I shot this back in 2005/06, my first winter in Iowa. It is down the road from where my photo club meets, and I stopped and shot this on the way in. There was something about the whole scene that appealed to me. It evokes a peaceful feeling, a quietness. It is actually somebody’s front yard, but is cropped well. It also helps that it has the aspects mentioned above, the texture and the glints of reflective light.
Those are the pros. But, I don’t have very many winter shots, because of the cons. What are the cons, you ask? Well, there’s only one. It’s cold.
Yes, that’s right, I am a west coast, “first world” American, and I am not overly enamored with the cold. It’s really that simple. I admire photographers who routinely go out every week in the winter to get a shot. That takes perseverance and dedication. Then again, for many of these people photography is literally their bread-and-butter. For me it’s more of a sidelight. I still need to keep my day-job.
Take yesterday and today, as a case in point. It’s been absolutely beautiful. Fresh snow. Fluffy-type snow, which is best for those reflecting sunlight glints I keep mentioning. Clear blue skies. Everything needed for a truly nice winter photo. Unfortunately, it’s also been about -2 degrees… and that’s the high! Wind chills have been -20 degrees, and lower. Brrr… I’ve been staying inside, working on my websites and blogs, and catching up on things that way.
Many of the winter shots that I do have were taken when I was driving from one place to another and happened to have my camera with me, which I will continue to do. Stay tuned. 🙂
Keeping in theme with Iowa, I took these about four years ago. They’re at Kinnick Stadium, home to the University of Iowa Hawkeyes. This is at the entrance to the north end of the stadium. It is named for alum Nile Kinnick, the 1939 Heisman Trophy winner, who died in World War 2. According to Wikipedia, it is the only college stadium named for a Heisman Trophy winner.
The statue is very striking. Very dignified. The location is kind of tight, and you don’t really have many good choices for vantage points and good composition. You’re somewhat stuck with what’s there. Move back too far and you get several extraneous things in the shot that seriously detract from the shot. While this can be disappointing, there are still several good opportunities, you just have to look up for most of them. Looking up at a subject isn’t always a bad thing. It adds something of a larger-than-life perspective, which works well in scenes like this.
I like the three layers in this shot. The plants in the foreground add a pleasant aspect that helps break up the hard lines of the stadium structure, in a pleasant way. The statue itself being the main focal point. The ‘sign’ on the stadium wall providing self-explanatory context. I have three shots total from this location currently processed and available, and two of them can be found on my nostalgia page, at least for now.
I’d like to go back and get some more shots from around the stadium, not to mention the historical aspects of Iowa City, itself. I don’t get down to the Iowa City area nearly enough. A nice local flare is always interesting, and helps break up what can be the monotony of farms and barns and windmills.
My ultimate goal… well, one of them, anyway… is to find a really good shot of an old windmill and a new wind turbine. That would be awesome.
In the mean time I have also been looking for anything that showcases the contrast between old vs new. (I love then-and-now photos!) I recently found an old barn surrounded by dozens of new wind turbines. I was able to get several nice shots from various perspectives. This is one of my favorites.
Missy and I were traveling between Champaign, IL, and Ottawa, IL, having taken side trip in a more purposeful venture to eat at Wienerschitzel. Their chili cheese dogs and chili cheese fries are that good, good enough to travel an extra night and four hours out of our way, but I digress.
Anyway, here we are gliding down Hwy 47 and I’m scanning the countryside for something to shoot. I spy this barn down a gravel side road and decide to check it out. Parked about a half mile away, and worked my way up so that I could get several perspectives.
As I got closer I see a hawk perched on top of the roof ridge. It seems to be very interested in this interloper invading its personal space. After several minutes and shots it takes off… in my direction. The bird swooped down about 20 feet above my head. I’m not sure, but I think it might have been sizing me up to decide if I was small enough to haul away for a tasty treat later.
The hawk eventually settled in a safe distance away and left me unmolested. Was kind of a relief. Not only was I going to be dinner, I was also left alone to finish my shoot. I finished up, hiked back to the car, and continued on the trip, and the result is the shot you see here.
Makes for a nice contrast-y combination, don’t you think? Everything is easily discernible. The barn just “pops”. There’s a sense of stillness in this photo. It’s obvious this is a working farm, as evidenced by the items carefully stored outside. There’s also a sense of… almost hibernation. Activity is on hold, most equipment has been stored inside protected from the elements. You can bet the farmers are inside, enjoying the warmth that modern life affords them. One would think they’re sitting by the fire, sipping a hot drink, partaking in a favorite leisure activity, and basking in a well-earned rest, but they’re probably actually actively planning and doing paperwork for the next season. No rest for the weary, as the old saying goes.
I shot this a couple years ago not too far from where I live. This weekend I was finishing up re-processing all my existing photos that I currently have offered for sale, and came across this one. I’ve always liked it, the contrasts and all, but never knew what to do with it. The white sky overwhelmed everything else. The eye was drawn too much to the white sky and away from everything else.
By cropping it to a 2:1 ratio mini-panorama format the whole feeling of the photo is reversed. Now, the white sky is just a complimentary aspect to the overall scene. Now, the red barns dominate the scene and draw the eye, as it should be. You’re now focused on the primary aspects of the image. We have wonderful processing tools available these days, and can manipulate in ways that just a few years ago were unimaginable, but it’s amazing how often something like a simple crop is what makes the difference.
I really don’t like contests. Any kind of contest, not just photo contests, but I will focus… get the pun?… on photo contests since this is a photo blog. Contests are too random. At least the ones I enter. The state fair has different judges each year. Which is good… and bad. The good is you don’t know their biases and preferences. The bad is that you don’t know their biases and preferences. If you do know the judge(s) you can tailor your submissions to (hopefully) match their preferences. That can work out well, as I did just that several years ago at my photo club’s annual contest. I won several prizes, including Best of Show.
So why do I enter contests? I enter because they push me to continually improve and shoot better photos. There are a lot of good photographers in the world, and at least keeping up with them is a challenge. Unfortunately, there are also some mediocre photographers who are gurus with Photoshop and Lightroom, and they can produce some stunning images that grab people’s attention… and judges are people, too.
I’m not a purist by any stretch of the imagination, but I do feel that the primary skill of a good photographer should be… wait for it… photography. Call me old fashioned, I guess.
The photo above is the one that won “Best of Show” at my photo club’s contest. That was in 2010 or 2011. It’s a bit small here because it’s so long. This is 17 images stitched together to form the panorama. Hopefully you can see it well enough. And, yes, I have this one hanging on the wall in my living room. It’s 7 feet long and printed on canvas and is gorgeous.